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2021 Department of Art Honors Exhibition

We are delighted to present the work of the 2021 Department of Art Honors Program students of and in this most extraordinary time. Working in isolation during a difficult period this remarkable group of 9 people hung on through tenuous connections and multiple planes of uncertainty to forage and forge work that speaks to our lives now. We invite you to peruse the virtual exhibition below for a sampling of their projects reflecting a broad range of individual creative practices, research and making, across media. You will float, pause, fly again- rather like all of us during this last year, though a multiplicity of forms that ask what it is to be becoming.

• Sarah R. Brady, Assistant Professor of Art (Honors Fall)
• Laurel Beckman, Professor of Art & Honors Advisor (Honors Winter)
• Alex Lukas, Assistant Professor of Art (Honors Spring)

Thank you to Troy Small, Kevin Clancy, Joel Sherman, Alex Lukas, and all involved in making this happen!

Installation Views
Matterport
Natalie Cappellini
Natalie Cappellini

Paper Doll is an interactive sculptural self-portrait in which the audience is invited to take a painted clothing item and affix it to the magnetized figure, recreating the childhood experience of playing with a paper doll. This piece addresses self-expression and perception, and nostalgia.

Mike Demavivas

My current work explores the relationship of space, light, and structure within isolation in a pandemic. Using light, space, color, miniatures, projection, and digital editing creates imaginary environments with the residue of modernism in a 3D space within a space exploring the emotion of our current social climate.

Mike Demavivas
Kaitlyn Grulkowski
Kaitlyn Grulkowski

The Most Important Component explores the ways in which unseen, internal feelings of stress can be exhibited in a physical manner using body language. Stacked upon one another, these disembodied extremities display discomfort, tension, and adrenaline while offering a visual commentary on the sublime of life and its experiences. Although initially tethered to negative connotations of death and fear, Cadaver invites the viewer to openly stare at the inevitable and use the figure as a tool for therapy and spiritual healing. This piece changes in context, from morbid to the humorous, when the environment around it shifts as well.

Madeline Miller

These pieces exhibit five femme deities in their natural environments. They dominate their landscapes with immense strength and confidence. Project yourself onto these guardians and feel their power inside you! Find your favorite goddess, face her, and tell yourself, “you are the strongest thing that is.”

Tess Reinhardt

This 14-minute video is a selection of 9 videos, animations, and sound works, that the artist made as an undergraduate student. Through experimentations with time, motion, and opacity, the artist questions orientation and order, in the context of the digital age (or more specifically, zoom school). While most of their work was made at the University of California, Santa Barbara campus, in this compilation, the artist also includes a few pieces that they made remotely, from their home in Los Angeles, CA. Ultimately, these videos, animations, and sound experiments shed light on the aesthetics of decay, longing, and incorporeality, within a hybrid environment.
Watch the video

Madeline Miller
Tess Reinhardt
Ruby Saltzman
Ruby Saltzman

These analog double exposure photographs convey the haze of pandemic life. They illustrate the passing of time and fogginess of this past year. These works examine the nostalgia and longing one might experience for life pre-covid, mixed with the stark reality of our lives today. Through these images,
I explore the essence of time and memory.

Eva Smith

These works examine the practice of archiving as a mode for collage making. By sourcing from materials that I have collected without any intention, I explore the meaning and connectedness of collected items, words, and images that are free from projected conceptual restraints.

Annli Tico 

IV Landscape is inspired by the natural landscape of Isla Vista, and the changing relationship that I have had with nature during the pandemic. I have spent the last year or so spending more time within this unique area, and the piece displays a sense of melancholy at the thought of leaving as a graduating senior. Underbelly is an experimental piece made using found materials and scrap fabric. It explores the different textures and shapes of textiles and crocheted yarn. This piece is meant to create a surreal landscape that one can immerse themselves inside of.

Eva Smith
Annli Tico
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